Download Apple Pro Training Series Final Cut Pro for Avid Editors by Diana Weynand PDF

By Diana Weynand

ISBN-10: 0321741927

ISBN-13: 9780321741929

Up to date for ultimate reduce professional 7 and written for pro video and movie editors who understand their approach round Avid nonlinear structures, this e-book exhibits you the way to translate your abilities to ultimate reduce seasoned speedy and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a accomplished "translation direction" overlaying all of the crucial operations, from undertaking set-up and uncomplicated modifying via transitions and results, colour correcting, compositing, titling, and output. you will discover specific function comparisons, functional conversion counsel, and directions on the way to use ultimate lower seasoned good points that are not to be had in Media Composer. you will additionally study what is new in ultimate minimize professional 7. choked with convenient positive aspects, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complicated enhancing and workflow advice, this e-book can have you enhancing with ultimate reduce professional in list time. every one bankruptcy represents a whole lesson in a key point of ultimate reduce professional 7 and incorporates a overview part and checklist of keyboard shortcuts.Accessible writing kind places knowledgeable teacher at your sideAmple illustrations and keyboard shortcuts assist you grasp concepts fastChapter evaluate sections summarize what you've got realized

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Extra info for Apple Pro Training Series Final Cut Pro for Avid Editors

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Applying Color to Clips, Bins, and Sequences In Avid, you can choose from an extensive color palette to colorize Timeline tracks. In FCP, however, you don’t apply color to individual Timeline tracks, you apply color to bins, clips, and sequences. When you give an item a color label, that color will follow that item into other windows. For example, a sequence with a color label will display a sequence tab with that color in the Canvas and Timeline windows. A clip with a color label will display colored tabs in the Viewer, and so on.

Timeline button bar 35 38 Translating Basic Editing Skills To make visible any of the possible overlays in either the Viewer or Canvas, the Show Overlays option must be selected. After you select it, you can then select any or all of the overlay options below it. ) To see all of the overlays or visual indicators listed below, make sure the Show Overlays option is selected in both the Viewer and Canvas, but turn off all other “Show” overlays in the View pop-up menu for the moment. To see additional Canvas overlays: 1 In the Canvas, click the View button and make sure Show Overlays is selected.

Conforming Sequence Settings In Final Cut Pro, settings are attached to individual sequences—not projects. So after you initiate the first edit into a new sequence, Final Cut Pro will detect if the format of the clip you are editing matches the format settings of the active sequence. If they do not match, the clip will not be edited immediately. Instead, FCP will display a dialog asking if it should change the sequence settings to match the clip. This is, of course, what you will want to do most of the time.

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Apple Pro Training Series Final Cut Pro for Avid Editors by Diana Weynand


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