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Category: History & Criticism (Page 3 of 21)

A HISTORY OF ENGLISH DRAMA 1660-1900 VOL 1 RESTORATION DRAMA

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Ambivalent nature of healing, Ted Sexhauer (?) (9 min.) 102 min. This is a man who fosters feelings of insecurity in others in order to persuade them to accept his strongman methods. Ithaca, NY: Cornell University Press, 1985. We’re primarily a family-run business and several of us also work in professional theatre. Unless further information should come to light, however, we are probably best advised to content ourselves with a position of agnosticism on such questions. Dramatic festival. (Mrs) Anne Abbot (Throop) Craig.

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A Must See!: Brilliant Broadway Artwork

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William Wycherley. (Mer- maid ser) 1931 Benn 560p 5s, bds 3s 6d, lea 7s 6d A new edition of Wycherley's plays in 1 vol- ume. The chemical company said Monday it will sell a 100-year-old company-owned theater, four months after shareholder activists highlighted the asset as an example of DuPont's mismanagement. The 1960s also saw the first of many plays dealing openly with homosexuality. Grant-Schaefer. $1 Recitation with piano accompaniment: Hiawatha's wooing, by Rossiter G.

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The Partnership: Brecht, Weill, Three Women, and Germany on

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And then when the moment itself does come, the impetuous Laertes uncharacteristically avers.. But at the very end, he speaks for the first time. Waller (Stage his- tory) 3, 247 Century of famous actresses, 1750-1850. I didn’t produce many puns, but I did contribute to the Cahiers de Pataphysique, the Collège’s quarterly magazine, with letters in Italian, Spanish, and German—all the languages I don’t speak. Subtitle A group of 14 new tap dances with suggestions for appropriate popular music.

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The Romance of the American Theatre

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This is a song about sexual repression, false lives, and false role models, and it�s proof that Rizzo knows more than we thought, that she has genuine insight into the world around her. H. 51, 183 Hudson, Holland 189 Huesman, T. 194 Hughes, B. 193 Hughes, (Miss) E. 142 Hughes, Elinor 63 Hughes, G. 5, 31, 193, 235, 238 Hughes, H. 225 Hughes, R. 123 Hughes, R. Peter that he is not personally responsible.”) DCC president John Anderson dies before the annual meeting, which is conducted by acting president Louis Kronenberger. 1943-1944: Riven by personal feuds, the Drama Critics’ Circle is tested by the resignations of four members, including George Jean Nathan, who writes that he is leaving “until such time as the Circle recaptures its original ideal of merit and dignity.” (He rejoins in 1947.) 1944-1945: New York City license commissioner Paul Moss forces the closing of Dorothy and Howard Baker’s drama Trio, after local clergymen criticize its lesbian content.

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Stage of Emergency: Theater and Public Performance under the

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McClees (Ch on music) 111 Drama and liturgy. For a comprehensive account of Walker’s theatrical enterprises see Reg Skene, “C. The play examines the cost of blind faith in the American Dream. R. 217, 221 Sutton, G. 45, 64 Sutton, V. The second half of the book consists of more than one hundred plates illustrat- ing the development of stage forms and decoration from their beginnings to the 20th century." Theme: Various scenes in the progress of a young girl's search for fame and fortune.

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The Tony Award: A Complete Listing of Winners and Nominees

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Three plays: Sulla; Fand; The Pearl-tree. After an introductory survey of the subject as a whole, the author' [Bk rev digest] "gives an account of the foundation, development and organiz.ation of the Inns, and then pa.sscs on to the Rciders' and Serjeants' feasts, the revels, the masques, ecclesiastical and politica, and certain other forms of entertainment and final- ly the early plays, from Gorboduc to the Misfor- tunes of Arthur."

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Theatrical Design and Production (text only) 6th (Sixth)

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Shakespeare in American Life is part of The Wonder of Will, the Folger’s celebration of 400 years of Shakespeare in 2016. Green Pastures spirituals arranged for voice and piano; arr by Hall Johnson. (Pub pi no 25807) 1930 Fischer 40p $2 A collection of the negro songs and spirituals used in the play "The green pastures" the highly successful drama by Marc Connelly, which won the Pulitzer prize for 1929. The very "post" defines the discipline as one that looks forward to a world that has truly moved beyond all that colonialism entails, together.

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Whom Gods Destroy: Elements of Greek and Tragic Madness

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Wyspianski’s gesture of writing/reading anew dismantles the ostensible integrity of Shakespeare’s play understood as an untouchable relic of the past, and becomes a gesture of disclosure for the text which in an act of reading undergoes the process of dissipation of meaning and its production, thus conforming to and “enacting the largely hidden operations of [textual] memory”*. Usually stock sets were used, lit by candle-light, costumes were elaborate and contemporary.

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Mei Lanfang and the Twentieth-Century International Stage:

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Or--most plausibly, in the view of many modern biographers--did he teach school for a while? William Winter, (ser 1-3) 1911-1916 Moffat 3v il o.p. "Stage histories of 20 plays with interesting comment on the men and women who have played in them, their costuming, choice of texts and read- ing of lines." To what extent do these particular concepts work well to characterize history? Subtitle "The recent publication in an English transla- tion of a new collection of essays by Emile Jaques- Dalcroze is an event in the annals of literature devoted to the modern dance, not only because this literature is so scanty in English but because Dalcroze speaks with the authority of a pioneer and a creator."

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The Cambridge Introduction to Theatre Historiography

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Language: English

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Size: 8.73 MB

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Gover, Daniel, John Conteh Morgan, and Jane Bryce, eds. Journal coverage in the following areas: African American Studies; Anthropology; Asian Studies; Ecology; Economics; Education; Finance; History; Literature; Mathematics; Philosophy; Political Science; Population Studies; Sociology; Statistics. The plays were increasingly viewed in terms of the unity of image, metaphor, and tone. Wise 87 Glamour; essays on the art of the theatre. All in all, it aims to train a new type of cultural producer, who is familiar with art and media history, who is equally proficient with computer programming and artistic skills, who is always ready to learn new technologies, and who is comfortable interacting with scientists and computer industry resources. to give students necessary technical, theoretical, and historical backgrounds so they can contribute to the development of new aesthetics for computer media to prepare students to mediate between the worlds of computer science and technology, the arts, and the culture at large by being equally proficient with computing and cultural concepts to give students sufficient understanding of the trajectories of development in computing so they can anticipate and work with the emerging trends, rather than being locked in particular software currently available on the market Seven to ten courses required.

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